本教程是关于DaVinci Resolve调色师内部技术训练视频教程,时长:5小时,大小:18 GB,教程使用软件:DaVinci Resolve 15/16,附源文件,共13个章节,作者:Warren Eagles,语言:英语。RRCG分享
DaVinci Resolve是世界顶级调色系统,在大量好莱坞影片、广告、电视节目的制作中被广泛采用。此次更新添加了很多用户需要的功能特性,而且结合了Blackmagic Design研发的新图像处理技术。DaVinci Resolve是世界顶级调色解决方案。DaVinci Resolve提供比其他系统更好的实时调色,因为它构建于高性能GPU集群,打破了单机性能屏障,确保所有调色处理都能实时进行。DaVinci Resolve拥有真正实时解决方案所具有的性能,因此即使调色师执行了大量一级调色、二级调色、Power WindowsTM、多点追踪、模糊等操作,调色也能实时进行。DaVinci Resolve可提供高性能但低成本的解决方案,而且可以通过添加更多GPU进行升级以获得超级计算机性能来处理4K分辨率、立体3D,以及直接对ARRI raw和RED raw R3D原生格式进行调色。
DaVinci Resolve为电影、后期制作和电视广播行业提供高质量视频剪辑产品、调色系统、视频转换器、视频监看产品、矩阵、实况制作切换台、数字录像机、示波器和胶片修复软件。Blackmagic Design的DeckLink采集卡引发了质量和用户可承受性的革命,其获得艾美奖的DaVinci调色产品自1984年以来一直占据着电视和电影行业的主导地位。DaVinci Resolve持续引领包括立体3D和4K工作流程的突破性个性。公司创立者为世界顶级后期制作人员和工程师。Blackmagic Design在美国、英国、日本、新加坡以及澳大利亚均设有办事机构。
《DaVinci达芬奇高级调色使用技巧视频教程》 中文字幕版:
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视频预览:
For my 13th season of fxphd training I wanted to do something different. Lots of people are learning to color grade using many different ways: in the classroom, books, film school, YouTube, and more. This is OK, but when you start offering your services as a colorist and begin working with clients it becomes a lot more serious.
Insider Techniques for the Pro Colorist looks at how to approach a color session, where you start the grade and what an experienced client expects from you. We’ll also fix bad camera problems causing shots in the sequence to not match as well as use twelve Resolve OFX Plugins to fix problems and add creativity. This course has many tips on how to make your way up the grading ladder including things such as how you should set up your room, monitor, control surface, and even insights on whether it is ok to work for free.
This course is primarily centered around a 60 second segment introducing a marketing video for a paint shop. Filmed with three different cameras (GoPro, A7iii, and a 4k Blackmagic Pocket Cinema Camera), the footage presents many challenges: flicker, wrong color temperature, bad framing, changes in exposure, noise and a fussy host/vfx artist and CEO who is paying for the grade. The course comes with all the footage — over 10GB! — so you can follow along as a tackle the problems.
CLASS 01: OVERVIEW
An overview of the course, including an overview of Resolve 16 and a bit about Warren.
CLASS 02: SETUP
Worried about upgrading? Backing up old Resolve projects and databases, system settings, project settings.
CLASS 03: CONFORMING THE PAINT PROJECT
Conforming from a Premier Pro XML. Finding missing media, using the new drag and drop reference movie feature, fixing Premiere Pro to Resolve framing issues. New copy and paste of attributes from clip to clip, using Centre Crop with no resizing to address framing, using the mix viewer to see and then correct timing issues between the conform and the reference movie. Spotting what didn’t come across in the XML.
CLASS 04: GRADING THE PAINT PROJECT
Fixing color temp with Chromatic Adaptation OFX, creating a fixed node structure, Using the scopes to match mis-matched shots with the Color temperature control. Showing the reference movie on the Color Page to see what camera was used for each shot. Comparing progress with the split screen.
CLASS 05: MAKE THE CEO LOOK GOOD
The CEO is important (he’s paying you) so we need to pull out all the tools. Beauty OFX, Face Refinedment OFX, correcting the GoPro ‘wrong color temp shot’ with the Curve tool, histogram overlay on the Curves, Isolation Curve YRGB selections. Uploading a WIP to Frame.io.
CLASS 06: ACTION SPORTS, PART 1
X2 Master timelines 23.98 and 25fps footage. Copying a 1920 x 1080 timeline to an Instagram 1200 x 1200 square timeline. Fixing over-corrected footage with Curves. The new CIE 1931xy scopes and Color Compressor OFX. Using the new Speed Warp control to allow smooth post slow motion. Using Render Cache to see the results.
CLASS 07: GRADING RAW
Blackmagic BRAW and RED IPP2. Setting the project settings for RAW, using 2010 R3D files in IPP2, and BRAW explained. Highlight recovery, sidecar files, exporting RAW stills, and looking at dual ISO. Examining if a clip needs noise reduction and/or if you can stabilize it. Color Space Transform OFX to transform IPP2 to Alexa LogC
CLASS 08: ACTION SPORTS, PART 2
Matching X2 angles, the new Resolve Scopes explained, pulling back oversaturated images, and grading both underwater and above water in the same shot. A look at the new 3D Fusion title templates, using the new Adjustment layer, Analogue Damage OFX and punching titles through the OFX layer.
CLASS 09: PROBLEMS AND HOW TO FIX THEM
Got a flat grey sky you need to replace on a moving shot? Match Move OFX to add a new sky replacement. Bouncing car interior stabilize plus a still frame overlay from V2.
CLASS 10: FEEDBACK ON THE PAINT PROJECT
Working with feedback received from the client. How Frame io feedback markers are displayed in Resolve with comments and annotations. Continuing to grade the paint project, including Deflicker OFX and Color Stabilizer OFX. Conforming an updated timeline using downloading clips from Frame io.
CLASS 11: DON’T BE AFRAID OF A CONTROL SURFACE
If you get the chance to color a project and the post house has a control surface you haven’t used before, don’t be afraid. It looks more intimidating than it is and the reality is you will still use the mouse a lot. Blackmagic Mini panel and Advanced Resolve surface explained.
CLASS 12: HOW TO MAKE MONEY AS A COLORIST
Warren showcases his room set up, including monitor positions and wall color.
《DaVinci达芬奇高级调色使用技巧视频教程》 中文字幕版:
https://www.rrcg.cn/thread-16667848-1-1.html
更多相关内容请关注:DaVinci达芬奇教程专区,中文字幕教程专区
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